Nuu-chah-Nulth Bird Rattle

Nuu-chah-Nulth bird rattle with arabesque/scrollwork detail. Tagged "Sothebyd's, NY. Lot 213." With modern stand. This 19th century bird rattle originates with the Nuu-chah-nulth people from the West Coast of Vancouver Island, in British Columbia, Canada. According to Martha Black, “Rattles representing birds are among the most beautiful and sacred of Nuu-chah-nulth carvings. Some are abstract while others are realistic depictions of waterfowl and other kinds of birds. A rattle can convey the recognizable qualities of a specific bird and, at the same time, a supernatural bird that has appeared in a dream or vision. The visual and conceptual unity of the natural and supernatural realms is the source of much of the power of Nuu-chah-nulth art. Rattles are often used in ceremonies to accompany songs and chants.” [1] In overall execution and materials, this Nuu-chah-nulth seabird rattle is a classic example of the form, having been carved in alder or birch hardwood and painted in customary bone black and Chinese red vermilion, an early trade pigment. Where this rattle departs and becomes an exceptional and singular example is in the large, decorative structure on the back of the bird figure. The arabesque scrollwork-like on this rattle may have been inspired by the fancy scrollwork found on earlier European trade vessels, or may, as Black suggested, “convey the recognizable qualities of a specific bird and… a supernatural bird that has appeared in a dream or vision.” [2] It’s possible that both of these observations are true for this rattle and it is a supernatural bird rendered with European nautical influences. Certainly, Nuu-chah-nulth people had early and close contact, sustained over a long period of time, with European trading vessels and whaling ships, which would have given ample opportunity for Nuu-chah-nulth artists to familiarize themselves with decorative European design elements. This rattle is also notable for its especially canoe-like profile and construction, particularly in the lines of the head, beak, and neck, which has been hollowed out and strongly resembles the prow of a Nuu-chah-nulth dugout canoe. 1. Martha Black. 1999. HuupuKwanum Tupaat: Out of the Mist: Treasures of the Nuu-Chah-Nulth Chiefs. Victoria: Royal British Columbia Museum, 92. 2. Ibid.